The lush sound of plate reverb – with a modern twist.
The unmistakable plate reverb sound – warm, rich and spacious – is now at your fingertips.
Inspired by the original EMT 140 plate reverb, we captured the gorgeous sound and vibe of this studio classic and turned it into a fun and musically inspiring plug-in. And we couldn’t resist pushing the limits of reality, so we added a couple of fun twists that let you take Little Plate to spaces the original hardware only dreamed of.
Simple Control, Infinite Possibilities
Once we recreated the iconic 140 sound, we couldn’t resist going even further.
While the original reverb could only muster a modest five seconds of reverberation time, we pushed that number higher. A lot higher. With Decay Time set to infinity, Little Plate’s reverb tails never fade away. Check out these audio clips of presets that demonstrate this:
Zero to Infinity and Beyond
(This sample was manually faded out because the preset goes on forever.)
Abbeys Aerie
Cut the Clutter
Keep your reverb and your mixes clean with the built-in Low Cut filter.
Sometimes the low frequency build-up in reverbs can get a little out of control. Use the Low Cut control to tame those boomy bass frequencies.
Two Second Warmup
Deep Cavern
Space Modulator
Flip theModswitch to introduce slight modulation into the reverb tail.
These subtle and chaotic variations can result in a thicker and smoother sound, especially at long decay times on pitched instruments like keys, guitar, and voice.
Full Plate
Inner Space
Heavy Vibes
At Soundtoys, we’ve got a reputation for obsessing over legendary hardware. But when we decided to build our first reverb plug-in, we went farther than ever before. We collectedfiveEMT 140s from around the country and gathered them in our lab.
We tuned them up. We teched them out. We went to the chiropractor (that’sone and a half tonsof plate reverb). Then we took our time listening and testing, zeroing in on a sound that we think captures the classic EMT 140 vibe. Warm, rich, spacious and slightly dark, Little Plate packs the essence of plate reverb into one little plug-in that won’t break your back.
A Little Plate History
The EMT 140 uses a magnetic transducer to vibrate a massive sheet of metal, sending the result back to the engineer via a pickup that captures the resulting reverberation.
The EMT 140 was introduced in 1957 and was capable of dense and smooth reverberation unlike anything the world had heard. While it doesn’t exactly sound like a real room, it has a beauty of its own, which is why plate reverb is still such a sought-after sound even many decades later. 140s are getting hard to find though, and replacement parts even harder. Not to mention their sheer size and weight keep them out of reach of the average studio.
Highlights
Add the sound of vintage plate reverb to your tracks
Push beyond the limits of the hardware with extended reverb decay time
Create infinite reverb effects that never decay
Optional modulation for natural-sounding variation in the reverb tail
AAX Native, AAX AudioSuite, VST 2, VST 3, and Audio Units (AU)
Supported Sample Rates:
Minimum: 44.1 kHz, Maximum: 192 kHz
System Requirements:
Operating systems:Mac OS X 10.12 or later; Windows 7 or later.
An internet connection is required at the time of activation.
Supported Hosts:
Pro Tools, Live, Cubase, Nuendo, Logic, Studio One, Reaper, Bitwig
Clickhereto view our full list of compatible host applications.
Quotes
“Soundtoys found a way to make a plate reverb sound unique and modern.” –Scott Jacoby
“Instantly fell in love as soon as I heard it!” – Trevor Wright aka @mixedbytrev (Pro Era)
“Little Plate sounds more like a plate than anything out there.” –Rachel Alina
“This is the best plate reverb plug-in I’ve ever heard.” –Peter Katis
Soundtoys, Little Plate and their respective logos are all trademarks of Soundtoys, Inc.
*All other trademarks are the property of their respective owners, which are in no way associated or affiliated with Soundtoys. These trademarks are used only for historical reference or to identify products whose sounds or tone were studied in the development of Little Plate.
